PARALLEL TO THE IDENTITY OF MATERIAL, TRANSFORMATION OF CLAY TO CERAMIC; REFERS TO A LONG-RUNNING MAKING PROCESS THAT CAN BE BASED ON SHAPING, DRYING, FIRING. IN THIS PROCESS; THERE ARE MANY ABSTRACT OR CONCRETE PARAMETERS THAT ARE DIFFICULT TO RELATE TO EACH OTHER, SUCH AS; TOOLS, UTILITIES, CLEANING, MOOD, FAULT POSSIBILITIES, TEAMMATES, INDIVIDUAL SPACE, MUSIC, FOOD, FRUSTRATION, SATISFACTION, LANGUAGE. THE STUDIO, WHICH IS THE PLACE WHERE THESE PARAMETERS ARE REVEALED, IS BEYOND A PLACE FOR CERAMIC ART. IN THIS SECTION, THE PLACE / TEMPLE OF REVEALING ARE APPROACHED AND THE REPRESENTATIVES OF PERSONAL WORKING ARE CHOSEN FOR THIS INQUIRY.